For nearly three years after the outbreak of the war in midsummer 1914, the United States resisted any commitment. For both historical and personal reasons, the nation was isolationist, buffeted by its American population who had loyalties on each side. Enormous numbers of citizens of German extraction exerted great pressure on this country to avoid any foreign entanglements as did the Irish-Americans who had long been antagonistic to the English. On the other hand, Americans of English descent were clamoring for our active involvement. They elaborated on the bestiality of the Huns, or Boches, the titles bestowed on the German troops. The stalemate continued through Wilson’s second presidential campaign, in which the Democrats’ winning slogan was ‘He kept us out of war.’ But after his election, Wilson realized it would be to America’s advantage if the Allies were successful; and in April, 1917, he went before Congress to ask them to declare war in order to ‘Make the world safe for democracy.’ Two months later, the Selective Service Act, the draft, was enacted; and by the time the war ended in 1918, America had two million men in Europe and two million more in camps at home. For the most part, the songs of World War I were merry, high-spirited, and frequently amusing, occasionally displaying a bit of sentiment, but rarely evincing any somber tones. These pieces, sung by civilians, those in the camps, and those in the trenches, trace the country’s early attitude and its changes. |
 |  |  | | President Wilson had plenty of detractors, but when the conflict started, everyone endorsed the gratitude of the song-writers who wrote We Take Our Hats Off to You, Mr. Wilson, composed in 1914, shortly after the war broke out in Europe. | Even the following year, when the Lusitania was torpedoed by a German submarine, Americans still did not change their point of view. One of the hit songs of 1915 was I Didn’t Raise My Boy to be a Soldier. | In 1916, America began to develop a new viewpoint. College students and others who would make good officers went to training camps during the summer to drill for preparation in defending their country. The musical comedy Toot Toot was written about a camp in Plattsburgh, New York, and from it emerged one of the great marching songs of the war, The Last Long Mile.
|  |  |  | | The country didn’t realize initially how excruciating the casualties could be or how devastating the toll. Perhaps it was not too bad to wind up in what the British called “Blighty,” the hospital, and to illustrate this attitude was the numberI Don’t Want to Get Well. | Immediately after the declaration of war, the United States was in ferment, and leading, popular song-writers recorded the mood. Irving Berlin, for example, wrote For Your Country and My Country, and George M. Cohan’s piece, Over There, became the most widely played song throughout the entire war period.
|  |  | | | As soon as it was apparent that General Pershing would be on his way to Europe with the first contingent, Billy Baskette composed the catchy tune Goodbye Broadway, Hello France with lyrics by C. Francis Reisner and Benny Davis. | Goodbye songs were plentiful and often humorous. One of the best known, Long Boy or Goodbye Ma, Goodbye Pa, caricatured a farm boy in uniform leaving his flag-waving family. The words were by William Herschell and the music by Barclay Walker. | | | The Tour Continues on the Next Page | |
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